by Matthew Glandorf In order to talk about the so-called “Historically Informed Performance Practice” movement that began roughly in the second half of the 20th century, we need to go back to the mid 19th century and before. Music, like fashion or film, has been in constant demand, with style and tastes changing quite rapidly. In the Renaissance and early Baroque periods, the notion of performing music that was more than 20 years old was virtually unheard of (with a few notable exceptions). However, with the Romantic era in full swing, it was a performance of the J.S. Bach St. Matthew Passion (March 11, 1829) by the young Felix Mendelssohn that changed the course of public performance.
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